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Van Gogh and the End of Nature

by Michael Lobel

Van Gogh in the industrial age

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Hardcover New English

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AlbakiReads Editorial

Van Gogh in the industrial age

Michael Lobel reframes Van Gogh’s art through the industrial conditions surrounding its creation. The book considers factories, coal mines, gasworks, polluted skies, and waste as part of the artist’s world—and examines how industrial materials and environmental realities entered his practice. Covering nearly the full span of Van Gogh’s career, it connects close attention to artistic process and materials with new readings of familiar works. Lobel also relates the environmental pressures of Van Gogh’s era to present-day concerns about climate change and ecological destruction, making this an art-historical study with a sustained focus on the relationship between art and the changing environment.

Good fit for readers who enjoy

  • Readers interested in Van Gogh beyond the familiar image of a painter devoted chiefly to unspoiled nature.
  • Art-history readers curious about how industrial conditions and materials shaped artistic practice.
  • Readers exploring the historical roots of contemporary environmental concerns through art.

Themes

Van Gogh and industrializationArtistic materials and processPollution and environmental changeClimate change and ecological destruction

Based on publisher information and book metadata.

Book overview

A groundbreaking reassessment that foregrounds Van Gogh's profound engagement with the industrial age while making his work newly relevant for our world today

"Van Gogh has never seemed more relevant. This stands as my favorite book of the year in any genre."--John Vincler, Cultured

Vincent van Gogh (1853-1890) is most often portrayed as the consummate painter of nature whose work gained its strength from his direct encounters with the unspoiled landscape. Michael Lobel upends this commonplace view by showing how Van Gogh's pictures are inseparable from the modern industrial era in which the artist lived--from its factories and polluted skies to its coal mines and gasworks--and how his art drew upon waste and pollution for its subjects and even for the very materials out of which it was made. Lobel underscores how Van Gogh's engagement with the environmental realities of his time provides repeated forewarnings of the threats of climate change and ecological destruction we face today.

Van Gogh and the End of Nature offers a radical revisioning of nearly the full span of the artist's career, considering Van Gogh's artistic process, his choice of materials, and some of his most beloved and iconic pictures. Merging a timely sense of environmental urgency with bold new readings of the work of one of the world's most acclaimed artists, this book weaves together detailed historical research and perceptive analysis into an illuminating portrait of an artist and his changing world.
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