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Sturtevant: Drawing Double Reversal

by Elaine Sturtevant

Drawing as a way to rethink originality

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Hardcover New English

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Awards & Recognition

  • Author recognition

    Golden Lion for lifetime achievement, 54th Venice Biennale (2011)

    Received the Golden Lion for lifetime achievement at the 54th Venice Biennale in 2011.

AlbakiReads Editorial

Drawing as a way to rethink originality

Spanning four decades, from 1964 to 2004, this survey brings Sturtevant’s drawings into view alongside her better-known practice of repeating contemporary artists’ works. Its emphasis on early “composite drawings” offers a way to consider how her graphic work connects with the questions that run through her larger project: what counts as an origin, how originality is understood, and how art can shift habits of thought. The book’s subject is both a body of drawings and the ideas they help illuminate, placing works on paper within a broader conceptual inquiry.

Good fit for readers who enjoy

  • Readers interested in postwar and contemporary art.
  • Those exploring drawing as a medium and artistic practice.
  • Readers curious about questions of originality, repetition, and conceptual art.

Themes

DrawingOriginality and repetitionConceptual artArtistic practice

Based on publisher information and book metadata.

Book overview

Over the course of a half-century, Sturtevant (1924-2014) developed what is perhaps the most radical oeuvre of her generation. Concerned more with changing mental attitudes than with the reception of her art, she provoked the art world and the individual spectator by repeating the original works of contemporary artists. Astonishingly soon after the "originals" were made, she used them as source and catalyst, her intention being to, as she said, "expand and develop our current notions of aesthetics, probe originality and investigate the relation of origins to originality and open space for new thinking." She is most famous for these repetitions, but her early drawings, particularly the so-called "composite drawings" of the 1960s, also provide important clues for understanding the artist's radical conceptual work. This publication accompanies the first survey of Sturtevant's drawings, a focused exploration of her graphic work from 1964 to 2004.
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