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Standen: Philip Webb, Morris & Co. and the Creation of an Arts and Crafts Home

by Anne Stutchbury

Standen as a home, collection, and estate

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Hardcover New English

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AlbakiReads Editorial

Standen as a home, collection, and estate

Anne Stutchbury’s account brings the Beale family’s experience of Standen into a history often centered on its architecture and Morris & Co. interiors. Commissioned from Philip Webb as a Sussex holiday home in 1891, the house is considered a notable example of Arts and Crafts design. Drawing on historic photographs and family and estate archives, the book traces how the Beales’ engagement with the Arts and Crafts Movement informed the house’s decoration, gardens, and wider estate. It also follows Standen’s history through its transition to National Trust stewardship, connecting the family’s domestic life with the property’s later public life.

Good fit for readers who enjoy

  • For readers interested in Philip Webb, Morris & Co., and Arts and Crafts architecture.
  • For those drawn to the history of historic houses, gardens, and country estates.
  • For readers interested in archival research and the Beale family’s experience of Standen.

Themes

Arts and Crafts MovementResidential architectureFamily and domestic historyHistoric gardens and estatesNational Trust stewardship

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Book overview

The story of Standen, considered one of the finest examples of Arts and Crafts houses by Philip Webb

In 1891, James Beale, a wealthy, middle-class Unitarian solicitor from Birmingham, commissioned architect Philip Webb to design a holiday home in the Sussex countryside. The Beale family remained sole owners of the property until Helen Beale, James and Margaret Beale's last surviving child, bequeathed the estate to the National Trust in 1972.

Although Standen is recognised by architectural historians as a fine and complete example of Philip Webb's Arts and Crafts architecture of the period and is widely celebrated for its Morris & Co. wallpapers and furnishings, little has been written about how the family experienced the house, garden and estate, and the extent to which this shaped Standen's later life under the National Trust.

This book fills the void, focusing on the Beales' lived experience and how they collaborated with Philip Webb in the creation of Standen. Historic photographs and material from the family and estate archives, relating to both the property and its magnificent collection, reveal the extent to which the Beales' appreciation for the Arts and Crafts Movement influenced the creation of Standen's decorative interior, its gardens and the wider estate, from 1890 to the present day. Based on extensive new research, this lavishly illustrated publication weaves a rich historical context for Standen and its stories of human experience.

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