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Look at the U.S.A.: A Diary of War and Home

by Peter Van Agtmael

A photographic diary of America’s wars and their aftermath at home

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Hardcover New English

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AlbakiReads Editorial

A photographic diary of America’s wars and their aftermath at home

Peter van Agtmael combines photographs with memoir, reportage, observations, and interviews to trace post-9/11 America from the Iraq War through the Taliban’s return to power in Afghanistan. The book places combat alongside its domestic consequences, including bereaved families and wounded service members, while expanding outward to examine nationalism, militarism, race, class, and the Trump era. Framed as a personal chronicle shaped by more than two decades of documentation, it questions the stories Americans tell about war and the distance between overseas conflict and life on the home front.

Good fit for readers who enjoy

  • Readers interested in photojournalism and documentary photography
  • Those seeking visual and personal accounts of post-9/11 U.S. wars
  • Readers exploring links between war, nationalism, and American social divisions

Themes

War and its aftermathPost-9/11 AmericaMilitary and civilian lifeNationalism and militarismRace and class

Based on publisher information and book metadata.

Book overview

A personal chronicle of post-9/11 America, at war and at home. Through reportage and memoir, in photographs and words, Look at the U.S.A. documents the major fault lines that have defined this era, beginning with the war in Iraq and ending with the Taliban takeover of Afghanistan.

Fueled by ideology, insecurity, ambition, and a deep fascination with war, Peter van Agtmael began documenting America's war in Iraq in 2005. So began a photographic odyssey that would span more than two decades generating work that grew from a deep need to understand and peel back the layers of his troubled society.

Confronting the mythologizing of war and seductive nature of conflict on the American psyche, Look at the U.S.A. explores the disconnect between the intergenerational wars and the home front, juxtaposing American troops in combat with their grieving families at home and the recovery of the wounded. As the book's narrative progresses, the gaze begins to widen, to the imprints of nationalism, the election of Donald Trump, militarism, and race and class on American society.

Layered with van Agtmael's personal accounts, observations, and interviews with those he has encountered on his journey, Look at the U.S.A. is a damning, sometimes ironic critique that will make it one of the seminal photobooks on war.

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