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Lee Miller: Photography, Surrealism, and Beyond

by Patricia Allmer

A critical study of Lee Miller’s photographic work

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Hardcover New English

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AlbakiReads Editorial

A critical study of Lee Miller’s photographic work

Patricia Allmer examines Lee Miller’s photography through art-theoretical analysis and archival material, revisiting images from across Miller’s career. The study considers works including Portrait of Space, Severed Breast from Radical Mastectomy, and her wartime photographs for Vogue, while placing them alongside her connections to surrealist circles and American avant-gardes. Miller’s time in Paris, Egypt, and wartime Europe forms part of the book’s wider context, as do her less frequently discussed postwar activities. With sustained attention to individual photographs, the volume positions Miller’s work within twentieth-century photography, modernism, and surrealism.

Good fit for readers who enjoy

  • Students of twentieth-century photography and visual culture
  • Scholars of modernism and surrealism
  • Readers interested in Lee Miller’s wartime and postwar photographic work

Themes

Lee MillerPhotography and surrealismModernismWar photographyArchival research

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Book overview

Lee Miller: Photography, surrealism, and beyond offers a major new critical discussion of the work of one of the most significant twentieth-century photographers. Applying art-theoretical analyses and insights afforded by previously unseen material in archives and collections, Patricia Allmer undertakes revisionary readings of many of Miller's works, including Portrait of Space, Severed Breast from Radical Mastectomy and the famous series of war photographs produced for Vogue. At the same time she sheds new light on Miller's relations with surrealist groups and American avant-gardes, on her experiences in Paris, Egypt and World War II Europe and on her critically neglected post-war activities. Above all, Lee Miller: Photography, surrealism, and beyond focuses critical attention on the works themselves. As a result it will be of great interest to students and scholars of twentieth-century photography, modernism and surrealism.
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