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Laura Grisi: The Measuring of Time

by Laura Grisi

Laura Grisi’s art across places, mediums, and time

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Hardcover New English

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AlbakiReads Editorial

Laura Grisi’s art across places, mediums, and time

This monograph brings together the varied strands of Laura Grisi’s practice, from the Variable Paintings of the 1960s to environmental installations involving fog, wind, and rain, and conceptual photography from the 1980s. Its account connects those changing forms to a life lived across Greece, Paris, New York, Rome, and extended periods in Africa, South America, and Polynesia. Travel and encounters with non-Western cultures are presented as important to Grisi’s search for a broader, cosmic outlook. Published alongside a retrospective at Muzeum Susch, the book places her work within contemporary art history while tracing a practice that resists being contained by a single medium or label.

Good fit for readers who enjoy

  • Readers exploring postwar Italian art and individual artist monographs.
  • Those interested in environmental installation, conceptual photography, and experimental painting.
  • Readers studying art, travel, and cross-cultural influences.

Themes

Art across multiple mediumsTravel and cultural encounterTime and representationEnvironmental installations

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Book overview

On the many lives and mediums of a postwar Italian artist-adventurer

Published on the occasion of her long-deserved retrospective at Muzeum Susch, this book testifies to the singular vision of Italian artist Laura Grisi (1939-2017) within contemporary art history. Born in Greece, educated in Paris and living between New York and Rome, where she died, Grisi spent long periods of her life in Africa, South America and Polynesia. This involvement with non-Western cultures indelibly marked her own search for a cosmic thinking. Although her work is often reduced to Pop art, Grisi always worked within the fundamental motif of the "journey"--from remote locations visited and documented, to the multiplicity of mediums used. Grisi embodied a stateless, nomadic female subject defying the politics of identity, the univocity of representation and the unidirectionality of time. Grisi's work spans from her avant-garde Variable Paintings of the mid-1960s and her 1970s pioneering environmental installations dealing with fog, wind and rain, to her conceptual photo-works of the 1980s.

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