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Henri Cartier-Bresson: The Modern Century

by Henri Cartier-Bresson

A career-spanning map of Cartier-Bresson’s photography

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AlbakiReads Editorial

A career-spanning map of Cartier-Bresson’s photography

Published in connection with a Museum of Modern Art exhibition, this substantial monograph places Henri Cartier-Bresson’s photographs alongside the professional and historical contexts that shaped them. Three hundred images, arranged in twelve chapters, trace work from his early experiments in modern photography through photojournalistic projects made across China, the Soviet Union, the United States, and Europe. Familiar photographs share space with less frequently seen material drawn from the Fondation Cartier-Bresson’s holdings. An essay by Peter Galassi examines the intersections of journalism and art in Cartier-Bresson’s career, while chronologies and reproductions of magazine picture stories document how his photographs circulated in print. The volume functions both as a visual survey and as a resource for following the development and publication of his work.

Good fit for readers who enjoy

  • Readers interested in Henri Cartier-Bresson and twentieth-century photography
  • Photography students studying the relationship between art photography and photojournalism
  • Museum-catalog and photography-monograph collectors

Themes

Modern photographyPhotojournalismTwentieth-century historyMagazine picture storiesPhotography and art

Based on publisher information and book metadata.

Book overview

Offers an entirely new understanding of the photographer's extraordinary career and its overlapping contexts of journalism and art

Henri Cartier-Bresson (1908-2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson--including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material--featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines--will revolutionize the study of Cartier-Bresson's work.
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