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Francis Bacon Retrieved: Lost Words / New Writing

by Martin Harrison

Bacon’s words, restored and reconsidered

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Paperback New English

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AlbakiReads Editorial

Bacon’s words, restored and reconsidered

Martin Harrison’s volume brings together material about Francis Bacon’s art and the record of his conversations with David Sylvester. A substantial section presents responses that were cut from *Interviews with Francis Bacon*, including passages removed for continuity or at Bacon’s request. The book also examines photographs of four paintings Bacon later destroyed, alongside essays on form and accident, chimeras and liminal entities, and the psychology of the imposter. Together, these strands connect questions about how Bacon spoke about his work with close attention to its images, origins and surviving traces.

Good fit for readers who enjoy

  • Readers interested in Francis Bacon and writing about his art.
  • Readers seeking a collection that combines interview material with essays on painting, image-making and psychology.

Themes

Francis Bacon’s art and interviewsEdited and unpublished materialForm, accident and the origins of paintingChimeras and liminal entitiesImposture and destroyed paintings

Based on publisher information and book metadata.

Book overview

David Sylvester's Interviews with Francis Bacon remain the most consulted writing on Bacon. For the first time, Bacon's words appear here in their unredacted form. Other essays throw light on form and accident in Bacon's work, chimera and liminal entities, the psychology of the imposter, and destroyed paintings.

Half of this volume, an unprecedented proportion in the Studies series, is devoted to one topic: key parts of Bacon's responses in Interviews with Francis Bacon that were removed, either to maintain continuity or at Bacon's own insistence. This unpublished material will add immensely to this most frequently consulted resource and will require a reassessment of many of Bacon's statements and ideas.

Martin Harrison examines photographs of four paintings that Bacon later destroyed.

Maria Balaska considers the question: Where does a painting come from? She investigates forms and accidents in Bacon's work.

Amanda J. Harrison studies chimera and liminal entities in Bacon's work.

Darian Leader asks: In whose name? He turns our attention to the psychology of the imposter.

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