An inquiry into feeling as a shared event in contemporary performance
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An inquiry into feeling as a shared event in contemporary performance
Martin Welton examines why theatre can be experienced as physically or emotionally affecting, taking seriously the language of being “touched” or “moved” by a performance. Centered on contemporary works, the book considers situations in which performers and audiences inhabit a shared field of feeling. Its inquiry shifts attention beyond the staged play alone to the encounter created around it: how performance, spectatorship, and sensation may overlap. With its emphasis on questions of affect and audience-performer relations, Feeling Theatre frames theatre not simply as something watched, but as an experience shaped between those present.
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