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The Fantastic Worlds of Frank Frazetta. 45th Ed.

by Dan Nadel

Frank Frazetta’s fantasy art in context

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Regular price $46.72 USD Sale price $28.03 USD
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Hardcover New French

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AlbakiReads Editorial

Frank Frazetta’s fantasy art in context

Dan Nadel’s monograph traces Frazetta’s path from comic strips and EC Comics to the oil-painted covers he made for Tarzan and Conan. The book places his work within the visual language of fantasy illustration, highlighting his muscular heroes, distinctive depictions of women, creatures, action, and shadowed settings. Its 480 pages offer an extended look at an artist whose interpretations of familiar pulp characters helped define how they were pictured for later audiences.

Good fit for readers who enjoy

  • For readers interested in fantasy illustration and comic-book art.
  • For those exploring Frank Frazetta’s career and visual treatment of Tarzan and Conan.
  • For art-book collectors seeking a substantial monograph on an individual artist.

Themes

Fantasy artComic-book illustrationPulp cover artRepresentations of heroes and women

Based on publisher information and book metadata.

Book overview

Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he's long overdue for this ultimate monograph.Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do - he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, "I'm very physical minded. In Brooklyn, I knew Conan, I knew guys just like him," and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta's art is addictive as potato chips.

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