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Coco Fusco: Tomorrow, I Will Become an Island

by Olga Viso

Coco Fusco’s art across performance, politics, and history

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Hardcover New English

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Awards & Recognition

  • Editorial selection

    A New York Times Best Art Book of 2023

    Named a New York Times Best Art Book of 2023.

AlbakiReads Editorial

Coco Fusco’s art across performance, politics, and history

Olga Viso’s monograph surveys Coco Fusco’s interdisciplinary practice through her performances, videos, social practice, archival research, and writing. Its account connects individual works to broader questions of how colonial histories and intercultural relations shape identity and perceptions of cultural difference. The subjects range from postrevolutionary Cuba and racial stereotypes to feminist politics, ethnographic displays, military interrogation, and sex tourism. Contributions from scholars of art history, performance art, and Cuban cultural politics frame Fusco’s transnational perspective on race, gender, and power across the Americas, Europe, and beyond.

Good fit for readers who enjoy

  • Readers interested in Coco Fusco and contemporary art monographs.
  • Those studying performance art, video, or socially engaged art.
  • Readers exploring art’s intersections with postcolonial history, identity, and cultural politics.

Themes

Performance and video artColonial histories and intercultural relationsRace, gender, and identityCuban cultural politicsCultural difference and representation

Based on publisher information and book metadata.

Book overview

Tomorrow, I Will Become an Island is the first in-depth study of the performances, videos, and social practice of the influential Cuban-American artist Coco Fusco. The book will accompany an international touring retrospective of the artist's work starting in 2023. Featuring contributions by renowned scholars of art history, performance art, and Cuban cultural politics, this monograph offers a comprehensive review of Fusco's interdisciplinary art practice and her transnational perspective on race, gender, and power.

Fusco has been a leader in conversations around the intersection of identity, feminism, culture, and politics in the Americas and beyond. Emerging during the 1980s as a pioneering advocate of multiculturalism in the arts, Fusco utilizes performance, video, archival research, and writing to reflect upon the ways that intercultural relations and colonial histories shape the construction of the self and perceptions of cultural difference. Her work critically examines society from a postcolonial perspective, engaging with debates about cultural politics throughout the Americas, Europe, and elsewhere. This expansive approach is highlighted through a broad range of works that address themes including postrevolutionary Cuba, racial stereotypes, feminist politics, ethnographic displays, military interrogation, and sex tourism.

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