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Carroll Dunham: Green Period.

by Carroll Dunham

Carroll Dunham’s Green Period

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Hardcover New English

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AlbakiReads Editorial

Carroll Dunham’s Green Period

Bringing together paintings, drawings, and prints made from 2018 to 2022, this volume examines a concentrated phase in Carroll Dunham’s work. Green serves as both a visual device and a subject, shaping figures in an imagined archaic world while connecting questions of intimacy, race, sex, and aging. Three commissioned essays approach the work from distinct angles: cross-media process and the artist’s broader history, the imagery of surgical theaters and sex, and Dunham’s own account of color, narrative, and formal choices. The book offers a sustained look at how one color can organize a varied body of work.

Good fit for readers who enjoy

  • Those interested in Carroll Dunham and monographs on individual artists.
  • Readers exploring contemporary painting, drawing, and printmaking.
  • People interested in art addressing intimacy, race, sex, and aging.

Themes

Color as pictorial and expressive toolIntimacy, race, sex, and agingCross-media artistic processesFiguration and imagined worlds

Based on publisher information and book metadata.

Book overview

Themes of intimacy, race, sex and mortality seen through the prism of a single color

Focusing on the artist's pivotal "Green Period.," this publication compiles prints, drawings and paintings by New York-based artist Carroll Dunham (born 1949) between 2018 and 2022. Using the color green as a pictorial and expressive tool, Dunham explored the quality and concept of "green" through images of figures in an archaic world of his own making. In these "figurative" works, Dunham explores intimacy, race, sex, aging, and his own graphic and painterly languages.
Lavishly illustrated and designed, the publication features three newly commissioned essays: the curator and editor of the publication Dan Nadel writes on cross-media processes, and how the "Green Period." fits into the artist's history; artist Mary Simpson situates these works in the context of surgical theaters and the visualization of sex; and Dunham himself explores colors, narratives and the conceptual and formal background of these works. This definitive volume on one of the most thought-provoking painting series of the last decade offers a profound meditation on the nature of human existence in the 21st century.

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