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Bosch: Masters of Art

by Brad Finger

Bosch’s visions in their medieval religious context

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Paperback New English

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AlbakiReads Editorial

Bosch’s visions in their medieval religious context

Brad Finger’s compact introduction places Hieronymus Bosch’s surviving paintings and drawings within the moral and religious ideas of the Northern Renaissance. It examines the artist’s elaborate visions of the afterlife, heaven, hell, and human behavior, while addressing his longer place in Western art and his connection to later Surrealism. Full-color reproductions make the volume especially suited to close attention: Bosch’s crowded combinations of people, animals, and imagined forms are central to the book’s subject, not simply illustrations alongside the text. With only a small body of known work, Bosch becomes a focused case study in how religious imagery could be both instructive and startlingly inventive.

Good fit for readers who enjoy

  • Art readers seeking an accessible introduction to Hieronymus Bosch
  • Readers interested in Northern Renaissance religious imagery and medieval morality
  • Anyone wanting full-color reproductions for close looking

Themes

Hieronymus BoschNorthern RenaissanceReligious imageryHeaven and hellMedieval morality

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Book overview

Explore Hieronymus Bosch's fantastic illustrations of the afterlife and other religious concepts and narratives.

Although Bosch's known works amount to no more than two dozen paintings and a handful of drawings, the artist had an enormous impact on religious imagery during his lifetime and for centuries afterward. His enigmatic and mind-bending depictions of humans, animals, and nature undoubtedly influenced the surrealist movement of the 20th century. This book explores Bosch's works in terms of medieval morality, the religious beliefs of his time, and the Northern Renaissance in general. This elegant volume offers exquisite, full-color reproductions that afford readers the opportunity to linger over the works' amazing details. The accompanying text examines Bosch's singular place in the canon of Western art, as a revolutionary portrayer of the imagination, and as a pioneer in the depiction of heaven and hell.
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