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A Bigger Message: Conversations with David Hockney

by Martin Gayford

David Hockney on seeing and making images

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Paperback New English

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Awards & Recognition

  • Critical praise

    Praised by Booklist

    Booklist praises the volume as sumptuously illustrated and as capturing what it means to be a visual artist.

AlbakiReads Editorial

David Hockney on seeing and making images

In conversations with writer and art critic Martin Gayford, David Hockney considers a persistent artistic problem: how to represent a three-dimensional world on a flat surface. The discussions range across drawing, the ways different media shape perception, and the effects of changing technology—from cave painting to the iPad—on how artists depict the world. Alongside references to painters including Van Gogh, Vermeer, Caravaggio, Monet and Picasso, the dialogue touches on the contrasting landscapes of California and Yorkshire, as well as people Hockney has encountered, including Henri Cartier-Bresson and Billy Wilder. Together, these subjects place questions about seeing and image-making within a wider conversation about art and its contexts.

Good fit for readers who enjoy

  • Readers interested in David Hockney’s ideas about art and visual representation.
  • Readers curious about how artistic media and technology affect image-making.
  • Readers interested in conversations that connect Hockney’s work with other artists and places.

Themes

Visual representation and perceptionArtistic media and technologyArt history and artistic influencePlace and artistic context

Based on publisher information and book metadata.

Book overview

David Hockney is possibly the world's most popular living painter, but he is also something else: an incisive and original thinker on art.

This now classic book details the fruits of his lifelong meditations on the problems and paradoxes of representing a three-dimensional world on a flat surface. How does drawing make one "see things clearer, and clearer, and clearer still," as Hockney suggests? What significance do different media--from a Lascaux cave wall to an iPad--have for the way we see? What is the relationship between the images we make and the reality around us? How have changes in technology affected the way artists depict the world?

The conversations in this volume with writer and art critic Martin Gayford are punctuated by wise and witty observations from both parties on numerous other artists--Van Gogh or Vermeer, Caravaggio, Monet, Picasso--and enlivened by shrewd insights into the contrasting social and physical landscapes of California, where Hockney lived for many years, and Yorkshire, his birthplace. Some of the people he has encountered along the way--from Henri Cartier-Bresson to Billy Wilder--also make entertaining appearances in the dialogue.


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