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Women Architects at Work: Making American Modernism

by Mary Anne Hunting

Women’s work in the making of American Modernism

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Hardcover New English

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AlbakiReads Editorial

Women’s work in the making of American Modernism

Mary Anne Hunting and Kevin D. Murphy trace women’s contributions to American architecture and design before World War II, with the Cambridge School of Architecture and Landscape Architecture as a key thread. The account connects professional education with the varied ways women entered the field: through women-led firms, partnerships with men, and work as writers, educators, photographers, designers, retailers, and artists. It also brings lesser-known practitioners into view alongside more recognized names, situating their careers amid barriers of sexism, racism, and classism. Across these stories, architecture emerges as both a professional practice and a means of engaging with social concerns, community, and the environment.

Good fit for readers who enjoy

  • Readers interested in the history of American architecture and Modernism.
  • Those exploring women’s professional history and barriers in architecture.
  • Readers curious about the Cambridge School and the wider worlds of architectural design.

Themes

Women in architectureAmerican ModernismProfessional educationSexism, racism, and classismCommunity and the environment

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Book overview

A comprehensive history of the women architects who left their enduring mark on American Modernism

In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States.

Mary Anne Hunting and Kevin D. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Hunting and Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists.

With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design.

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