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When We See Us: A Century of Black Figuration in Painting

by Koyo Kouoh

Black figuration across a century

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AlbakiReads Editorial

Black figuration across a century

Published alongside an exhibition at Zeitz MOCAA in Cape Town, this volume uses figurative painting to trace how Black artists have represented and asserted African and African diasporic experience from the early 20th century to the present. More than 200 artworks anchor an exploration of Black subjectivity and consciousness across Pan-African and Pan-diasporic perspectives. The book also connects artistic practice with movements and debates including civil rights, African liberation and independence, anti-apartheid activism, decoloniality, and Black Lives Matter. Its combination of visual material and contributions from writers including Ken Bugul, Maaza Mengiste, Robin Coste Lewis, and Bill Kouelany places art within a broader history of Black cultural expression.

Good fit for readers who enjoy

  • People interested in modern and contemporary figurative art
  • Readers exploring Black cultural history and African diasporic perspectives
  • Those interested in how art engages with political and social movements

Themes

Black representation and subjectivityAfrican and diasporic experienceFigurative paintingPolitical and liberation movementsBlack cultural history

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Book overview

Published to accompany a major exhibition at Zeitz MOCAA, CapeTown, When We See Us presents a comprehensive exploration of Black representation through portraiture and figuration, celebrating Black subjectivity and Black consciousness from Pan-African and Pan-Diasporic perspectives.

In the past decade, figurative painting by Black artists has risento a new prominence in the field of contemporary art. This timely and revelatory book highlights the many ways in which artists critically engage with notions of blackness, contributing to the critical discourse on topics such as Pan-Africanism, the Civil Rights Movement, African Liberation and Independence movements, the Anti-Apartheid and Black Consciousness mobilizations, Decoloniality, and Black Lives Matter.

With a primary focus on figurative painting, When We See Us explores how Black artists have imagined, positioned, memorialized, and asserted African and African diasporic experiences from the early 20th century to the present day. Featuring more than 200 works of art--and contributions from well-known writers such as Ken Bugul, Maaza Mengiste, Robin Coste Lewis, and Bill Kouelany--When We See Us is a major contribution to our understanding of Black art that will appeal to anyone interested in modern and contemporary figurative art and Black cultural history.

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