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The Weird and the Eerie

by Mark Fisher

Exploring the strange and the unfamiliar

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AlbakiReads Editorial

Exploring the strange and the unfamiliar

Mark Fisher distinguishes the weird from the eerie as related but separate modes, arguing that neither is fully contained by horror. Across essays on twentieth-century literature, film, and music, he examines how these modes bring the outside and the unknown into view. The discussion ranges from writers including H. P. Lovecraft, Daphne du Maurier, and Margaret Atwood to films by Stanley Kubrick, Jonathan Glazer, and Christopher Nolan. The book connects close attention to cultural works with broader questions about how people understand the human condition.

Good fit for readers who enjoy

  • Readers interested in literary and cultural criticism focused on horror and the supernatural.
  • Readers exploring the weird and eerie across literature, film, and music.
  • Readers interested in works by the writers and filmmakers discussed in the essays.

Themes

The weird and the eerieHorror and the unknownLiterature, film, and musicThe human condition

Based on publisher information and book metadata.

Book overview

Explore the weird, the eerie, and the horrific in 20th-century literature, film, and music--from H.P. Lovecraft and Daphne Du Maurier to Stanley Kubrick and Christopher Nolan.

What exactly are the Weird and the Eerie? Two closely related but distinct modes, and each possesses its own distinct properties. Both have often been associated with Horror, but this genre alone does not fully encapsulate the pull of the outside and the unknown.

In several essays, Mark Fisher argues that a proper understanding of the human condition requires examination of transitory concepts such as the Weird and the Eerie.

Featuring discussion of the works of: H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christopher Nolan.
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