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We Were Forbidden

by Jacqueline Harpman

Three novellas about the boundaries of obedience

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AlbakiReads Editorial

Three novellas about the boundaries of obedience

Across three novellas, Jacqueline Harpman places women inside sharply different systems of restriction: a postwar forest with limits survivors are forbidden to cross, a French school in 1940s Casablanca where questioning doctrine is punished, and a Belgian marriage organized around a husband’s desires. Their shared concern is defiance, explored through the pressures each woman faces and the possibility—or absence—of pursuing a will of her own. First published in English decades after Harpman’s earlier work, the collection brings these distinct situations together around questions of authority, belief, and personal agency.

Good fit for readers who enjoy

  • Readers interested in literary novellas connected by a shared theme.
  • Readers drawn to fiction about women confronting social, institutional, or marital constraints.
  • Readers curious about Jacqueline Harpman’s work newly translated into English.

Themes

Defiance and obedienceAuthority and beliefWomen’s autonomySocial and marital constraints

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Book overview

"For readers who first met Harpman via her melancholic digital afterlife, We Were Forbidden will arrive as a revelation."--Katy Waldman, The New Yorker

From the bestselling author of I Who Have Never Known Men comes a startling trio of novellas--translated into English for the first time--each plumbing the depths of that vital human instinct: defiance.

In the wake of some unfathomable war, a woman wanders the forest. She and her fellow survivors are forbidden from leaving its boundaries or pausing in their eternal march through its strange depths.

Attending a rigid French school in 1940s Casablanca, a teenage girl is barred from ever questioning the dogma she is taught to believe--her punishment for doing so will be as swift as it is shocking.

Locked in a loveless marriage in the Belgian bourgeoisie, a young woman satisfies her husband's desires, twice weekly, as required. She has not yet thought to pursue her own.

These novellas--the first works by Jacqueline Harpman to arrive in English in decades--reveal her incredible stylistic range and demonstrate once more her penetrating psychological insight. Here we find the origins of a singular, relentless voice.

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