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Washington Hall at Notre Dame: Crossroads of the University, 1864-2004

by Mark C. Pilkinton

A campus landmark as a cultural crossroads

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Paperback New English

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Awards & Recognition

  • Critical praise

    Praise from Peter Holland, McMeel Family Professor of Shakespeare Studies

    Peter Holland calls the study “superbly scholarly” and praises its account of the changing place of the performi...

AlbakiReads Editorial

A campus landmark as a cultural crossroads

Tracing Washington Hall from 1864 to 2004, Mark C. Pilkinton uses the University of Notre Dame’s first performing arts center to examine campus life and its links with surrounding communities. The account brings together theatre, music, debate, lectures, and the arrival of film, radio, and television, showing how varied forms of public gathering took shape in one university venue. Episodes involving early student orations, the building’s ghost story, and Knute Rockne’s participation in the performing arts add detail to this institutional history. Fifty halftones and five line drawings accompany the text, which places the hall within the broader history of Notre Dame and American Catholic higher education.

Good fit for readers who enjoy

  • Readers interested in Notre Dame’s history and campus buildings
  • Those studying theatre and performing arts in university settings
  • Readers exploring American Catholic higher education

Themes

University historyArchitecture and campus lifePerforming artsPublic assembly and communityAmerican Catholic higher education

Based on publisher information and book metadata.

Book overview

At the heart of the University of Notre Dame's campus sits the Main Building with its trademark golden dome. Flanking it on the west is the equally distinctive Sacred Heart Basilica, and on the east is the building known today as Washington Hall. Washington Hall at Notre Dame is the first history of this building--the university's first performing arts center--and illuminates the ways in which Washington Hall has served as the prime venue of secular communal assembly for the university and surrounding communities since 1864.

In addition to detailing the history of Washington Hall, Mark Pilkinton, a theatre historian, emphasizes the art form of theatre and its development at Notre Dame, but also discusses the contributions of music, debate, and lectures, as well as the introduction of the "new media" of film, radio, and television. Among many other fascinating stories, the author recounts the early commencements and "exhibitions" that included students' orations in Latin and Greek, chronicles the history of the ghost of Washington Hall, and describes the contributions Knute Rockne made to the performing arts at the university, both as a student actor and as a faculty member.

Lavishly illustrated with 50 halftones and 5 line drawings, Washington Hall at Notre Dame offers a fascinating history of Notre Dame through the prism of its first performing arts center and adds to our understanding of American Catholic higher education and American history in general.

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