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Unutterable Horror: A History of Supernatural Fiction, Volume 1

by S. T. Joshi

A historical map of weird fiction

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AlbakiReads Editorial

A historical map of weird fiction

S. T. Joshi traces supernatural and weird writing from the ancient world through the end of the nineteenth century, placing familiar literary landmarks alongside the development of Gothic fiction and the English ghost story. The book moves across Greek and Latin works, Renaissance and later poets and dramatists, and writers including Ann Radcliffe, Mary Shelley, Edgar Allan Poe, Henry James, and Bram Stoker. Its scope makes literary history the organizing thread: readers can see how recurring supernatural motifs and different strands of horror fiction took shape across periods and authors. This first volume ends with the nineteenth-century writers who helped establish weird fiction as a recognizable genre.

Good fit for readers who enjoy

  • Readers seeking literary criticism and historical context for supernatural and horror fiction.
  • Readers interested in Gothic literature, ghost stories, and the evolution of weird fiction.
  • Readers studying classic authors from antiquity through the nineteenth century.

Themes

History of weird fictionGothic literatureSupernatural and psychological horrorRecurring literary motifsThe English ghost story

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Book overview

S. T. Joshi is one of the leading authorities on weird fiction, and in this expansive new study he provides a comprehensive history and analysis of the entire range of weird fiction from antiquity to the present day. This first volume focuses on weird fiction from the Epic of Gilgamesh (c. 1700 B.C.E.) to the end of the nineteenth century. Joshi focuses on key works of Greek and Latin literature that introduced many long-enduring motifs in weird literature. Moving on down through Dante, Shakespeare, Marlowe, and Milton, Joshi provides a compact overview of the several different strands of Gothic fiction, beginning with Horace Walpole's The Castle of Otranto (1764) and culminating with Charles Robert Maturin's Melmoth the Wanderer (1820), with detailed discussions of Ann Radcliffe, M. G. Lewis, Mary Shelley, and others. Edgar Allan Poe was a watershed in the history of weird fiction, and his fusion of psychological and supernatural horror was pioneering. He was followed by the prolific Irish writer J. Sheridan Le Fanu, numerous practitioners of the English ghost story (including Henry James and Edith Wharton), and the cynical Ambrose Bierce. Toward the end of the nineteenth century, Bram Stoker, Robert Louis Stevenson, Oscar Wilde, and others made weird fiction a genre that fused popular appeal with aesthetic richness.
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