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The Undead: A Novel of Modern Russia

by Svetlana Satchkova

A filmmaker’s work under state scrutiny

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AlbakiReads Editorial

A filmmaker’s work under state scrutiny

Maya’s low-budget horror film begins as a collaborative indie project, but its satire draws the attention of powerful censors. The novel links the making of art with the risks of speaking freely in contemporary Russia, following the pressures placed on Maya and her friends by an authoritarian system. Its central tension is between creative expression and state power, with the film itself serving as the point where those forces meet.

Good fit for readers who enjoy

  • Readers interested in fiction about artists confronting political censorship.
  • Readers drawn to contemporary Russian settings and stories about freedom of expression.

Themes

Art and censorshipPolitical oppressionFreedom of expressionContemporary Russia

Based on publisher information and book metadata.

Book overview

"[An] exquisite balance between contentment and foreboding, tranquility and chaos." --Vogue

In this gripping tale of contemporary Russia, a young filmmaker and her friends run afoul of a government that ruthlessly oppresses artists who dare to satirize the regime . . .


When Maya, a young Russian filmmaker, makes a low-budget horror movie with her friends, it seems like a promising start to a career in indie film. Little does she know that her jokey lo-fi film will soon attract the attention of the autocratic censors at the highest levels of the Russian police state.

What follows is a propulsive narrative of an artist being crushed by state power, and the choices that one makes within a system where free expression is literally illegal. Written with the undeniable voice of a emigre from Putin's Russia, The Undead is a tense, piercing story that serves as a parable, and a warning, about political oppression.
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