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Tending the Vines: Black Abundance in Eight Plants

by Ashia S. Ajani

Plants, displacement, and Black belonging

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AlbakiReads Editorial

Plants, displacement, and Black belonging

Ashia S. Ajani’s creative nonfiction connects eight plants—including eucalyptus, passionflower, wild mustard, and kudzu—to the histories of the Black diaspora in America. Organized as a chapter-by-chapter exploration, the book considers each plant’s place in African traditions, the histories of the Middle Passage and chattel slavery, and its continuing presence in households and communities. It also examines ethnobotanical uses and the ways plants labeled “invasive” have been turned into metaphors for Black presence, as well as symbols of liberation. Across these histories, the idea of belonging comes into view through the movement of plants and the people whose lives they have sustained.

Good fit for readers who enjoy

  • Readers interested in creative nonfiction about plants and cultural history.
  • Readers exploring Black diaspora history, African traditions, and the legacy of slavery.
  • Readers curious about ethnobotany and how ideas of “invasive” species intersect with belonging.

Themes

Black diasporaPlant histories and ethnobotanyDisplacement and belongingMetaphor and liberation

Based on publisher information and book metadata.

Book overview

This standout creative nonfiction debut explores the lives and histories of plants considered nonnative or invasive as metaphors for the Black experience in America.

In Tending the Vines, Ashia S. Ajani illuminates how eight unique plants tell the story of the Black diaspora in America. Each chapter is a deep dive into one plant--including eucalyptus, passionflower, wild mustard, and kudzu--exploring their significance in African tradition, their role through the Middle Passage and Chattel Slavery, and their enduring importance in modern households and communities.

Tending the Vines unpacks the complex rhetorical lives of these plants, most of which have been used as both ugly metaphors for Black incursion as well as powerful symbols for Black liberation. It also highlights the ethnobotanical uses that have sustained displaced populations for centuries. Throughout, Ajani complicates our notions of "invasive" and belonging, by contextualizing how plants move, are moved, and, of course, move us.
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