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Teaching the Mexican Revolution

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Teaching the Mexican Revolution

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AlbakiReads Editorial

Teaching the Mexican Revolution

This essay collection approaches the Mexican Revolution through the cultural forms that carry its memory: literature, film, song, and popular culture. Its teaching perspectives include women’s roles as protectors and soldiers, petroculture, the making of revolutionary heroes, and contemporaneous corridos. Several essays bring Mexican American, Chicanx, and borderland perspectives into conversation with questions of remembrance, colonialism, and borders. The volume also names works by Mariano Azuela, Nellie Campobello, Cristina Rivera Garza, and Chinua Achebe, placing literary study alongside the revolution’s broader cultural legacies.

Good fit for readers who enjoy

  • Instructors seeking varied approaches to teaching the Mexican Revolution and its cultural legacy.
  • Students and scholars interested in Mexican, Mexican American, Chicanx, and borderland perspectives.
  • Readers studying revolutionary literature, corridos, film, or popular memory.

Themes

The Mexican Revolution’s cultural memoryWomen and revolutionary rolesColonialism and bordersMexican American and borderland perspectives

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Book overview

Essays on the Mexican Revolution and its literary and cultural legacies

The Mexican Revolution lives on in literature, film, song, and popular culture. An enduring part of the cultural memory of Mexican and Mexican American communities, the revolution has shaped--and continues to be shaped by--later generations' experiences and conceptions of history. This volume offers instructors a variety of vantage points for teaching the revolution, including the role of women as family protectors and soldiers, petroculture, the heroization of famous revolutionary figures, and contemporaneous corridos. Essays introduce students to comparative approaches framed by concepts of colonialism and borders. Several essays center the perspectives and experiences of Mexican American, Chicanx, and borderland communities, attending especially to remembrance and to the literary and cultural afterlives of the revolution.

This volume also contains discussion of the following authors and works: Chinua Achebe, Anthills of the Savannah; Mariano Azuela, Los de abajo; Nellie Campobello, Cartucho; Cristina Rivera Garza, Nadie me ver

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