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The Story of the Lost Child

by Elena Ferrante

Friendship and return in Naples

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Awards & Recognition

  • Editorial selection

    A New York Times Best Book of the Century

    Named a best book of the century.

AlbakiReads Editorial

Friendship and return in Naples

The final volume of Elena and Lila’s lifelong story brings their friendship back into focus as their adult lives take different paths. Elena returns to Naples after building a family and writing career in Florence; Lila, still rooted in the neighborhood they grew up in, has become an entrepreneur whose success draws her closer to its entrenched power and violence. Set against the women’s shared history and the changing fortunes of their community, the novel explores how place, ambition, and social constraints shape their lives—and how an enduring bond persists through loss and change.

Good fit for readers who enjoy

  • For readers following Elena and Lila’s story across the earlier volumes.
  • For readers interested in long-running friendships and lives shaped by their communities.
  • For readers drawn to fiction set in Naples and concerned with social power and constraint.

Themes

Lifelong friendshipPlace and belongingAmbition and social constraintsPower and violence in a communityLoss and change

Based on publisher information and book metadata.

Book overview

A BEST BOOK OF THE CENTURY - NEW YORK TIMES


The "stunning conclusion" to the bestselling saga of the fierce lifelong bond between two women, from a gritty Naples childhood through old age (Publishers Weekly, starred review).


The Story of the Lost Child concludes the dazzling saga of two women, the brilliant, bookish Elena and the fiery, uncontainable Lila, who first met amid the shambles of postwar Italy. In this book, life's great discoveries have been made; its vagaries and losses have been suffered. Through it all, the women's friendship remains the gravitational center of their lives.


Both women once fought to escape the neighborhood in which they grew up. Elena married, moved to Florence, started a family, and published several well-received books. But now, she has returned to Naples to be with the man she has always loved. Lila, on the other hand, never succeeded in freeing herself from Naples. She has become a successful entrepreneur, but her success draws her into closer proximity with the nepotism, chauvinism, and criminal violence that infect her neighborhood. Yet, somehow, this proximity to a world she has always rejected only brings her role as unacknowledged leader of that world into relief.

"Lila is a magnificent character."--The Atlantic

"Everyone should read anything with Ferrante's name on it." --The Boston Globe


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