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Slouching Towards Bethlehem: Fsg 80th Anniversary Special Edition

by Joan Didion

Essays on California and America in the 1960s

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AlbakiReads Editorial

Essays on California and America in the 1960s

Joan Didion’s nonfiction debut gathers essays that look at American life in the 1960s, with California as a recurring point of focus. The subjects range from public figures such as John Wayne and Howard Hughes to growing up in California, questions of good and evil, and San Francisco’s Haight-Ashbury counterculture. Together, these pieces offer several angles on a period and place undergoing social change, moving between individual subjects and wider cultural concerns. This FSG 80th Anniversary Special Edition presents the collection as a portrait of the era, rather than a single continuous narrative.

Good fit for readers who enjoy

  • Readers interested in essays about American culture and the 1960s
  • Readers exploring California history and the Haight-Ashbury counterculture
  • Readers interested in Joan Didion’s nonfiction writing

Themes

American life in the 1960sCaliforniaCounterculturePublic figuresGood and evil

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Book overview

The essential portrait of America in the sixties, by the acclaimed author of The Year of Magical Thinking.

More than a half century after its publication in 1968, Joan Didion's Slouching Towards Bethlehem remains an essential portrait of America--and California in particular--during the sixties. This collection, which was Didion's nonfiction debut, is a bold announcement of one of the most distinctive prose stylists of our era and includes pieces exploring such subjects as John Wayne and Howard Hughes; growing up in California; the nature of good and evil in a Death Valley motel room; and San Francisco's Haight-Ashbury, the heart of the counterculture. The power of Didion's essays only grows over time, owing to her stature as "an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control" (The New York Times Book Review).

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