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Slouching Towards Bethlehem: Essays

by Joan Didion

A nonfiction portrait of California and its era

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AlbakiReads Editorial

A nonfiction portrait of California and its era

First published in 1968, Joan Didion’s first nonfiction collection brings together essays on people, places, and ideas associated with a changing America. Its subjects range from John Wayne and Howard Hughes to growing up in California, questions of good and evil, and San Francisco’s Haight-Ashbury and counterculture. The collection’s scope connects portraits of prominent figures with examinations of place and social life, offering a snapshot of the time and settings that anchor its essays.

Good fit for readers who enjoy

  • Readers interested in essay collections and American nonfiction.
  • Readers exploring California, San Francisco’s counterculture, or the cultural history of the 1960s.
  • Readers interested in essays about public figures and questions of good and evil.

Themes

California and place1960s counterculturePublic figuresGood and evilAmerican social life

Based on publisher information and book metadata.

Book overview

Beautifully repackaged as part of the Picador Modern Classics Series, this special edition is small enough to fit in your pocket and bold enough to stand out on your bookshelf.

Celebrated, iconic, and indispensable, Joan Didion's first work of nonfiction,
Slouching Towards Bethlehem, is considered a watershed moment in American writing. First published in 1968, the collection was critically praised as one of the "best prose written in this country."

More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion's focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture. As Joyce Carol Oates remarked: "[Didion] has been an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control."

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