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Roy Lichtenstein: Like New

by Alex Da Corte

Reconsidering the imagery behind Lichtenstein’s Pop art

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AlbakiReads Editorial

Reconsidering the imagery behind Lichtenstein’s Pop art

Spanning Roy Lichtenstein’s career from his university years in the 1940s through 1997, this volume examines the sources, methods, and subjects behind his work. Reproductions of early pieces, preparatory drawings, and source materials bring attention to the process behind images associated with mass culture. Its non-chronological arrangement pairs works in ways that foreground recurring concerns with repetition and simulation. The book also considers how Lichtenstein’s images have been cited, altered, and reimagined, connecting his hand-painted engagement with mechanically printed forms to the circulation of images today.

Good fit for readers who enjoy

  • Readers interested in Roy Lichtenstein and his artistic methods
  • Those exploring Pop Art and mass-culture imagery
  • Art readers who value reproductions of preparatory work and source materials

Themes

Pop ArtRepetition and simulationMass culture and mechanical reproductionArtistic process and source imageryImage appropriation and reinterpretation

Based on publisher information and book metadata.

Book overview

A career-spanning look at the methods, influences, motivations, and continuing relevance of one of America's foremost Pop artists

Roy Lichtenstein's bold, instantly recognizable imagery and style helped redefine the possibilities of painting when it first gained widespread attention in the early 1960s, and it has been ceaselessly copied ever since. This ubiquity is part of his legacy, but it has also obscured the radical nature of his work. Spanning his entire career, from his formative years at Ohio State University in the 1940s to his death in 1997, this volume offers a fresh consideration of Lichtenstein's methods, influences, sources, and subjects, and includes reproductions of rarely seen early works, preparatory drawings, and source materials. It eschews traditional chronology in favor of unexpected pairings and groupings that reveal the artist's lifelong engagement with repetition, simulation, and the aesthetics of mass culture, while at the same time exploring how his images have subsequently been cited, distorted, and reimagined. Designed by Irma Boom, this fascinating study highlights how Lichtenstein's practice of producing works that nod to mechanically printed materials but were actually painstakingly painted by hand created a tension between technological reproduction and artistic touch that presciently foreshadows today's visual landscape of cropped, altered, and repurposed images.

Distributed for the Whitney Museum of American Art

Exhibition Schedule:

Whitney Museum of American Art, New York
(October 14, 2026-May 10, 2027)

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