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Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century

by Lindsay Guarino

Re-centering jazz dance’s Africanist roots

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AlbakiReads Editorial

Re-centering jazz dance’s Africanist roots

This edited collection examines how Africanist aesthetics and Black American culture shape jazz dance, and how their contributions have been marginalized in its teaching and history. Chapters address theory, pedagogy, and choreography, including the role of Eurocentric technique and ideology in shaping dominant jazz styles. Alongside historical critique, contributors offer approaches to teaching rooted jazz dance, ideas for revising curricula, and perspectives from artists on choreography and performance. The essays connect the field’s contested history to racism in the United States and raise questions about misappropriation and reparations in dance.

Good fit for readers who enjoy

  • Dance educators and students interested in jazz dance history and pedagogy
  • Choreographers and performers seeking perspectives on Africanist aesthetics in jazz dance
  • Readers studying race, cultural appropriation, and equity in the performing arts

Themes

Africanist aesthetics and Black American cultureJazz dance history and misrepresentationDance education and curriculumRace, appropriation, and equityChoreography and performance

Based on publisher information and book metadata.

Book overview

National Dance Education Organization Ruth Lovell Murray Book Award

UNCG Susan W. Stinson Book Award for Dance Education

An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture.

Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curricula, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values.

Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean into difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language.

Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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