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Resistance, Rebellion, and Death: Essays

by Albert Camus

Political essays on freedom and responsibility

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Awards & Recognition

  • Author recognition

    Albert Camus — Nobel Prize in Literature winner

    The credited author is identified as a Nobel Prize winner; the supplied text specifies that Albert Camus accepte...

AlbakiReads Editorial

Political essays on freedom and responsibility

Across twenty-three essays, Albert Camus considers people caught in the consequences of historical and political conflict. The subjects named in the collection range from the French Resistance and the Cold War to colonial warfare in Algeria and capital punishment. Together, they frame questions of freedom, resistance, and the moral responsibilities involved in writing about people subjected to history. The collection offers a nonfiction counterpart to Camus’s broader engagement with rebellion and human freedom, grounded here in specific political circumstances.

Good fit for readers who enjoy

  • For readers interested in Camus’s political and ethical thought.
  • For those exploring essays on resistance, colonial conflict, capital punishment, and the Cold War.
  • For readers seeking nonfiction alongside Camus’s literary and philosophical works.

Themes

Freedom and responsibilityResistance and rebellionPolitical conflictCapital punishmentPeople subjected to history

Based on publisher information and book metadata.

Book overview

NOBEL PRIZE WINNER - Twenty-three political essays that focus on the victims of history, from the fallen maquis of the French Resistance to the casualties of the Cold War.

In the speech he gave upon accepting the Nobel Prize for Literature in 1957, Albert Camus said that a writer "cannot serve today those who make history; he must serve those who are subject to it."

Resistance, Rebellion and Death displays Camus' rigorous moral intelligence addressing issues that range from colonial warfare in Algeria to the social cancer of capital punishment. But this stirring book is above all a reflection on the problem of freedom, and, as such, belongs in the same tradition as the works that gave Camus his reputation as the conscience of our century: The Stranger, The Rebel, and The Myth of Sisyphus.
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