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Reframing the Long 1960s on British Screens: Masculinity, Crime and Nostalgia

by Estella Tincknell

Crime, memory and masculinity on British screens

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AlbakiReads Editorial

Crime, memory and masculinity on British screens

Estella Tincknell examines British crime films and television from and about the long 1960s, tracing how screen stories carry competing ideas about masculinity, power and whiteness. The study ranges across police procedurals, heist films, gangster narratives and thrillers, placing works such as *Z-Cars*, *Get Carter* and *The Sweeney* alongside later period dramas including *Endeavour* and *The Trial of Christine Keeler*. Its central thread is the relationship between genre and nostalgia: how popular depictions of crime help preserve or question myths about the decade and its place in British cultural memory.

Good fit for readers who enjoy

  • Readers interested in British film and television, especially crime genres.
  • Those studying masculinity, whiteness, nostalgia and popular memory in screen culture.
  • Readers seeking cultural analysis that compares works from the 1960s and later period dramas.

Themes

British crime film and televisionMasculinity, power and whitenessNostalgia and popular memoryThe long 1960s as cultural identity

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Book overview

In Reframing the Long 1960s Estella Tincknell explores the way British crime films and television series made during or about that extended decade have been marked by ongoing tensions between nostalgic myths of masculinity, power and whiteness and attempts to challenge or transform those dominant narratives.

Tincknell blends cultural analysis and original research with close reading to examine a wide variety of crime subgenres from police procedurals and heist films to gangster narratives and thrillers, comparing the approaches of texts such as Z-Cars (1962-1978), Robbery (1967), Get Carter (1971) and The Sweeney (1975-1978) with those of period dramas aimed at twenty-first century audiences, including The Great Train Robbery (2013), Legend (2015), The Trial of Christine Keeler (2019) and Endeavour (2012-2023). Tincknell identifies the important intersections between text, genre, nostalgia and popular memory as she traces how persistent myths about crime and criminality-and about "the long 1960s" as a defining period for British cultural identity-have been represented and recirculated.

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