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Raincoast Chronicles 25: M̓am̓aɫa Goes Fishing

by Alan Haig-Brown

A deckhand’s years in We Wai Kai fishing life

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AlbakiReads Editorial

A deckhand’s years in We Wai Kai fishing life

Alan Haig-Brown draws on his years as a deckhand aboard a We Wai Kai family seiner in the 1960s and early 1970s, combining personal recollection with context on British Columbia’s commercial fishing history and its relations with Indigenous communities. The account takes in the skilled work of purse-seine fishing, the demands of navigating coastal waters, and the routines of life aboard under skipper Herb Assu. Black-and-white photographs, mostly by Vicki Assu, accompany the narrative. Haig-Brown also reflects on how his time with the Assu family shaped his understanding of Indigenous approaches to the environment and the fishing industry.

Good fit for readers who enjoy

  • Readers interested in British Columbia’s commercial fishing history and coastal life
  • Those seeking memoirs connected to We Wai Kai people and Indigenous-community history
  • Readers interested in fishing practices, maritime work, and archival photographs

Themes

Commercial fishingWe Wai Kai history and cultureIndigenous communities and the fishing industryMaritime work and coastal knowledge

Based on publisher information and book metadata.

Book overview

This 25th edition of Raincoast Chronicles intertwines Alan Haig-Brown's experiences of his formative years as a deckhand on a We Wai Kai seiner with the historical and cultural context of BC's commercial fishing industry.

In Raincoast Chronicles 25, Haig-Brown recounts his formative years as a deckhand in the 1960s and early '70s on a fishing boat run by the We Wai Kai family he married into as a teenager. The history of commercial fishing and of British Columbia itself, in all its twisting relations with Indigenous peoples, is mirrored in Haig-Brown's vivid account of life aboard, where "there are no typical days" despite the tightly choreographed tasks and immense local knowledge required by this ever-risky business.

Recalling dancing fingers deftly untangling purse seine nets, the delicious salmon stews and huckleberry pies Mitzi Assu whipped up from a cramped galley, and the crew's navigation skills in facing dangerous tide rips, Haig-Brown beautifully captures the daily rhythms, challenges, and camaraderie of life on the fishing boat from a decade spent immersed in the traditions of the We Wai Kai people under the remarkable skipper Herb Assu. It was the Assu family that gave Haig-Brown the experience that has led him to understand the harmony and sustainability of the traditional Indigenous approach to the environment.

Now an experienced international marine journalist, Haig-Brown adds historical context to the narrative, providing a nuanced view of the interplay between Indigenous communities and the commercial fishing industry. Illustrated with black and white photographs, mostly by Vicki Assu, his wife at the time, this account not only portrays a young man's journey but also serves as a tribute to the enduring spirit and resilience of the We Wai Kai family and their deep connection to the coastal waters of British Columbia.

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