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Queer

by William S. Burroughs

Desire and dislocation in 1950s Mexico City

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AlbakiReads Editorial

Desire and dislocation in 1950s Mexico City

Written in 1952 and published decades later, Queer follows William Lee through Mexico City’s American expatriate scene as he contends with heroin withdrawal and his longing for Eugene Allerton. The novel combines an autobiographical self-portrait and a love story with comic-grotesque fantasy, set against Lee’s increasingly desperate pursuit of desire. Its Mexico City bars provide the setting for a portrait that the publisher describes as both personal and political. This edition includes an introduction by Burroughs scholar Oliver Harris, offering context for the novel’s history and place in Burroughs’s work.

Good fit for readers who enjoy

  • Readers interested in William S. Burroughs and his literary work.
  • Readers seeking fiction that combines autobiographical material, romantic longing, and comic-grotesque fantasy.
  • Readers interested in novels set among expatriates in 1950s Mexico City.

Themes

Desire and romantic longingHeroin withdrawalAutobiographical fictionExpatriate lifePolitical portraiture

Based on publisher information and book metadata.

Book overview

"A major work, Burroughs's heart laid bare, the origin of his writing"-Allen Ginsberg

The definitive text of William S. Burroughs's early, long-unpublished novel, reissued on the seventieth anniversary of the year of its writing, now adapted for film directed by Luca Guadagnino and starring Daniel Craig

Originally written in 1952 but not published till 1985, Queer is a haunting tale of possession and exorcism. Both an unflinching autobiographical self-portrait and a coruscatingly political novel, it is both Burroughs's only realist love story and a montage of comic-grotesque fantasies that paved the way for his masterpiece, Naked Lunch.

Set in Mexico City during the early fifties, Queer follows William Lee, the protagonist of Burroughs's debut novel Junky, a man afflicted with acute heroin withdrawal and romantic yearnings for Eugene Allerton. As Lee breaks down over the course of his hopeless pursuit of desire from bar to bar in the American expatriate scene, the trademark Burroughsian voice emerges, a maniacal mix of self-lacerating humor and the ugly American at his ugliest.

Now a cult classic and a highly regarded part of his oeuvre, reissued on the seventieth anniversary of the year of its writing, this edition of Queer features a contextualizing introduction by the eminent Burroughs scholar Oliver Harris.

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