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Pretend I'm Not Here

by Trey Sager

Masks, longing, and lives at the edge of collapse

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Awards & Recognition

  • Critical praise

    Praise from Lynne Tillman, author of Men and Apparitions and Paying Attention

    Lynne Tillman praises the collection’s writing, characters, and distinctive approach.

AlbakiReads Editorial

Masks, longing, and lives at the edge of collapse

In this story collection, private struggles over sex, identity, and connection unfold amid burning cities, protests, and intensifying isolation. Masks and costumes recur as characters test who they might be in an absurd, unstable world. The stories begin in recognizable American settings before turning toward the strange and speculative, bringing everyday relationships into contact with more unsettling possibilities. Longing ranges from love and a newborn child to annihilation, while bleak circumstances leave room for moments of dark optimism.

Good fit for readers who enjoy

  • For readers interested in literary short-story collections about identity, sex, and the search for connection.
  • For readers drawn to fiction that shifts from recognizable American settings into speculative and unsettling territory.
  • For readers comfortable with bleak subject matter and darkly optimistic moments.

Themes

Sex and identityLonging and connectionMasks and self-presentationIsolation and social unrestThe familiar turning strange

Based on publisher information and book metadata.

Book overview

Pretend I'm Not Here features characters struggling with sex, identity and meaning in a world collapsing around them. Everyone is longing for something-the beloved, a newborn child, even annihilation. Cities burn, protests rage, isolation intensifies. A motif of masks and costumes runs throughout as characters experiment with who they are and struggle for connection in an absurd world. Though bleak, many of the stories end with a moment of dark optimism.

 

These stories start out in familiar territories, realisms invoking people and places around America, until they flatly reveal they are more unfamiliar, weirder, wrong-er, sexier, and sometimes more terrifying and sad, and more speculative, than what it seemed they were going to be doing. But then you've got to realize that they got more real-more accurate. I became interested in that motion each of these stories made, and ever impacted by Sager's decisive vision on the discrete plane of the sentence, where a camera has a "snout" and a pair of white lace underwear wraps around a perverted aristocrat's ankle, in a ritualistic tryst with a robot, "like a manacle."-Caren Beilin, author of Sea, Poison and Revenge of the ScapegoatTrey Sager's stories illuminate people who prefer shadows. His beautifully written, very compelling stories engage the reader in characters whose interior lives are at odds with their place in the world. They doubt and have no idea they have a place in it. Sager's take on friendships and family recognize hurt and alienation, where life is always puzzling. His stories disdain the obvious for the intriguing, subtle, and intelligent. Sometimes perverse and never sentimental, Trey Sager's debut collection welcomes a wonderful, unusual writer.-Lynne Tillman, author of Men and Apparitions and Paying AttentionTrey Sager's fiction is the future this reader wants. Tender and brutal, perfect for lovers of David Lynch, Sager's sentences take hold and keep you in their grip.-Kathleen Heil, author of You Can Have It All
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