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The Possessed: Adventures with Russian Books and the People Who Read Them

by Elif Batuman

Russian classics in the lives they leave behind

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Awards & Recognition

  • Editorial selection

    One of The Economist's 2011 Books of the Year

    Named one of The Economist's 2011 Books of the Year.

AlbakiReads Editorial

Russian classics in the lives they leave behind

Elif Batuman brings literary criticism into contact with travel and biography, tracing how Russian writers and their works intersect with present-day lives. The essays range across Stanford, Switzerland and St. Petersburg, alongside journeys connected to Pushkin, Tolstoy, Isaac Babel and other authors. Their subjects include literary interpretation, the individual’s place in history, graduate-student life, and the continuing influence of books on their readers. The collection’s organizing thread is the movement between reading the classics and encountering the places, people and histories associated with them.

Good fit for readers who enjoy

  • For readers interested in Russian and Soviet literature and its classics.
  • For those who enjoy literary criticism alongside travel and biographical inquiry.
  • For readers curious about how literature shapes the lives of its readers.

Themes

Russian literary classicsReading and lived experienceLiterature and historyTravel and literary biography

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Book overview

One of The Economist's 2011 Books of the Year

From the author of Either/Or and The Idiot, Elif Batuman's The Possessed presents the true but unlikely stories of lives devoted--Absurdly! Melancholically! Beautifully!--to the Russian Classics.

No one who read Batuman's first article (in the journal n+1) will ever forget it. "Babel in California" told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel's last living relatives at the San Francisco airport, uncover Babel's secret influence on the making of King Kong, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature.

Batuman's subsequent pieces--for The New Yorker, Harper's Magazine, and the London Review of Books-- have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. In The Possessed we watch her investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva.

Love and the novel, the individual in history, the existential plight of the graduate student: all find their place in The Possessed. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence--including her own.

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