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Pornography: Men Possessing Women

by Andrea Dworkin

A feminist argument about pornography and power

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AlbakiReads Editorial

A feminist argument about pornography and power

First published in 1981, Andrea Dworkin’s book presents an explicitly anti-pornography critique grounded in questions of gender and power. Dworkin connects the industry to forms of male power that she identifies as ownership, money and sex, and argues that the inequalities pornography displays also run through media more broadly. The book’s subject is therefore not only pornography itself, but the cultural conditions that shape how images of women are produced and consumed. Its framework places it within feminist debate about representation, commodification and women’s social position.

Good fit for readers who enjoy

  • Readers interested in feminist critiques of pornography and media representation.
  • Readers exploring arguments about gender, power and the commodification of women’s images.

Themes

Feminist critiquePornography and mediaGender and powerCommodification of women’s images

Based on publisher information and book metadata.

Book overview

Andrea Dworkin's 1981 critique of pornography is an important and urgent document about how the culture consumes and manipulates images of women. Essential and discomfiting reading in a social media era, where women's bodies are being commodified and displayed more than ever.

Andrea Dworkin's seminal 1981 work on the issue of pornography argues that the industry serves only to harm and oppress women. Her discussion of pornography as an outgrowth of the power that men exert over women--the power of owning, the power of money, and the power of sex, among others--still blazes with its clarity and immediacy, and illustrates how these inequities, while displayed in raw form in pornography, are endemic in all media.

With a lively and deeply compelling voice, Andrea Dworkin succinctly outlines her anti-pornography stance. Though the media environment may have changed, this passionately and powerfully argued classic remains a relevant and crucial contribution to the area of feminist studies.

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