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Popular Music and Human Rights: 2 volume set

by Ian Peddie

Popular music as a response to human-rights struggles

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AlbakiReads Editorial

Popular music as a response to human-rights struggles

This two-volume collection examines the relationship between popular music and human rights, with attention to ideas of individual will, self-determination, and self-legislation. It frames music as a cultural response formed within social contexts, and considers its expressive reach in relation to human-rights concerns. The broad scope makes the set a resource for exploring how popular music engages with questions of rights and political agency.

Good fit for readers who enjoy

  • Readers studying popular music in social or political contexts
  • Those interested in cultural responses to human-rights issues
  • Researchers seeking a collection focused on music and political agency

Themes

Popular music and human rightsSelf-determinationMusic as cultural expression

Based on publisher information and book metadata.

Book overview

Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide.
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