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Pinelandia: An Anthropology and Field Poetics of War and Empire Volume 8

by Nomi Stone

Staged villages, lived roles, and military training

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AlbakiReads Editorial

Staged villages, lived roles, and military training

Nomi Stone’s ethnography examines U.S. military predeployment exercises conducted in mock Middle Eastern villages across the United States, alongside the experiences of Iraqi role-players hired to inhabit those settings. Mosques, restaurants, street signs, and Arabic graffiti form part of these constructed environments, where participants rehearse cultural literacy and special operations. Drawing on fieldwork in the United States and Jordan, the book considers how people are recruited to translate, mediate, and collaborate within a military project shaped by the Global War on Terror. Its approach joins anthropology with what Stone calls “field poetics,” framing the training sites as a way to examine American empire and the human consequences of turning social roles into instruments of war.

Good fit for readers who enjoy

  • Readers interested in cultural and social anthropology and ethnographic fieldwork.
  • Readers studying military training, the Global War on Terror, or U.S. involvement in Iraq.
  • Readers interested in the lived experiences of Iraqi role-players in military simulations.

Themes

Ethnography and fieldworkMilitary training and simulationLabor, translation, and mediationAmerican empire and the Iraq War

Based on publisher information and book metadata.

Book overview

Across the pine forests and deserts of America, there are mock Middle Eastern villages, mostly hidden from public view. Containing mosques, restaurants, street signs, graffiti in Arabic, and Iraqi role-players, these villages serve as military training sites for cultural literacy and special operations, both seen as crucial to victory in the Global War on Terror. In her gripping and highly original ethnography, anthropologist Nomi Stone explores US military predeployment training exercises and the lifeworlds of the Iraqi role-players employed within the mock villages, as they act out to mourn, bargain, and die like the wartime adversary or ally. Spanning fieldwork across the United States and Jordan, Pinelandia traces the devastating consequences of a military project that seeks to turn human beings into wartime technologies recruited to translate, mediate, and collaborate. Theorizing and enacting a field poetics, this work enlarges the ethnographic project into new cross-disciplinary worlds. Pinelandia is a political phenomenology of American empire and Iraq in the twenty-first century.
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