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The Picasso Ransom: and other stories about art and crime in Australia

by Mark S. Holsworth

Art and crime across Australia

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AlbakiReads Editorial

Art and crime across Australia

Forty-five true-crime stories map a varied history of conflict around visual art in Australia, from colonial-era incidents to contemporary cases. Art theft and forgery sit alongside censorship, vandalism and protest, with episodes ranging from a break-in at the Adelaide Art Gallery to a forged Pollock exhibition and artworks prosecuted as pornography. The collection also revisits the National Gallery of Victoria artnapping that gave the book its title: the theft of Picasso’s *Weeping Woman* and the demand for an art prize called “The Picasso Ransom.” Newspaper archives, trial observation, interviews and the author’s experience in the art world inform these accounts.

Good fit for readers who enjoy

  • Readers interested in Australian art history and its lesser-known incidents.
  • True-crime readers drawn to cases involving art theft, forgery and vandalism.
  • Readers curious about the intersections of art, censorship and protest.

Themes

Art crime in AustraliaForgery and authenticityCensorship and protestCultural history

Based on publisher information and book metadata.

Book overview

A collection of forty-five true-crime stories about the visual arts in Australia: art theft, art forgery, art censorship, art vandalism, and protest art. The title comes from the famous artnapping of Picasso's Weeping Woman from the National Gallery of Victoria. One of the artnapper's demands was an art prize called 'The Picasso Ransom'.

While that crime is famous, others stories of crimes, from the colonial to the contemporary, have faded from memory. Amongst them is the first break-in at the Adelaide Art Gallery, an entire exhibition of forged Pollocks, art prosecuted as pornography, decapitated statues, and burnt flags. There are great artists, including Renoir, Rover Thomas, Brett Whitely and Albert Tucker and some notorious criminals, including Murray Farquar, Steven Sellers, and Carl Williams.

It is based on extensive research in newspaper archives, observing trials, interviews, and decades of experience in the art world.

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