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On Photography

by Susan Sontag

Photography as a way of seeing—and shaping—reality

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Awards & Recognition

  • Award recognition

    Winner of the National Book Critics Circle Award for Criticism

    The source describes On Photography as a winner of the National Book Critics Circle Award for Criticism.

AlbakiReads Editorial

Photography as a way of seeing—and shaping—reality

Across six essays, Susan Sontag examines photography not simply as image-making, but as a practice bound up with power, representation, and the uses of pictures. The collection considers how imagery can advertise, commemorate, persuade, and conceal, connecting photographic images to questions of reality and authority. First published in the 1970s, the book’s subject remains relevant to debates about how pictures shape what people see and believe. This edition presents Sontag’s sustained critique of photography’s possibilities and problems.

Good fit for readers who enjoy

  • Readers interested in photography criticism and visual culture.
  • Those exploring how images intersect with politics, representation, and authority.
  • Readers seeking essays on photography from a major twentieth-century critic.

Themes

Photography and representationImages, power, and authorityUses of visual imageryReality and perception

Based on publisher information and book metadata.

Book overview

Winner of the National Book Critics Circle Award for Criticism

A new edition of Susan Sontag's groundbreaking critique of photography--its problems, politics, and possibilities.

"To photograph is to appropriate the thing photographed," Sontag writes in the opening pages of On Photography, which went on to influence generations of theorists, film critics, and readers everywhere. Originally published in the 1970s, her groundbreaking collection remains uncannily prescient and profoundly precise.

With her singular searching eye, and her refusal to buckle under received wisdom, she presents a rousing critique of the functions of imagery--to seduce, to advertise, to evoke, to commemorate, to conspire, to conceal--across six essays. The result is a damning portrait of the ways we use imagery to manufacture reality and authority that feels as if it were written today.

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