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Parallel Realities in Russian and Ukrainian Contemporary Cinema

by Tetyana Shlikhar

Cinema, memory, and competing national narratives

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AlbakiReads Editorial

Cinema, memory, and competing national narratives

Tetyana Shlikhar compares Russian and Ukrainian feature films as a way of examining the cultural histories surrounding Russia’s invasion of Ukraine. The book argues that this conflict is shaped by a colonial relationship and contrasts Russian cinema’s promotion of unity and patriotism with Ukrainian cinema’s efforts to confront colonial trauma and articulate a distinct national identity. Its analysis spans cinematic depictions of Kyivan Rus, the Cossacks, World War II, the Soviet past, and the current war, showing how shared historical reference points can carry different meanings across national cinemas.

Good fit for readers who enjoy

  • Readers interested in Russian and Ukrainian cinema and film studies.
  • Readers exploring national identity, colonial history, and cultural memory.
  • Readers seeking analysis of cinema in the context of the Russian war in Ukraine.

Themes

National cinema and identityColonial history and cultural traumaHistorical memoryCinema and patriotism

Based on publisher information and book metadata.

Book overview

This book examines Russian and Ukrainian feature films to trace the roots and consequences of the Russian invasion of Ukraine. It argues that the cultural war stems from a colonial past, where Russia viewed Ukraine as an inferior "little brother." By examining cinematic representations of the countries' shared history, this book reveals how Russia has used cinema to promote a strong, unified state and patriotic narratives, while Ukrainian cinema seeks to overcome colonial trauma and build a distinct national identity. It also investigates how cultural memories of Kyivan Rus, the Cossacks, World War II, the Soviet past, and the Russian war in Ukraine are depicted differently in Russian and Ukrainian cinema.

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