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The Oxford Handbook of Shakespearean Tragedy

by Michael Neill

Shakespearean tragedy across text, stage, and world

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Paperback New English

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AlbakiReads Editorial

Shakespearean tragedy across text, stage, and world

Across 54 essays, this handbook treats Shakespeare’s tragedies as both literary works and scripts shaped by theatrical practice. Its five-part structure moves from the history of the genre and the ways critics have defined it, through textual questions and readings of individual plays, to performance histories, screen and operatic productions, and later reworkings. The closing section widens the frame further, tracing criticism and performance across regions including Europe, the Americas, Africa, India, and East Asia. The collection offers a broad map of how Shakespearean tragedy has been interpreted, staged, adapted, and understood across different periods and places.

Good fit for readers who enjoy

  • Readers seeking a substantial scholarly reference on Shakespeare’s tragedies.
  • Students and researchers interested in textual criticism, performance history, or adaptations.
  • Those studying Shakespeare’s reception across international regions.

Themes

Shakespearean tragedyGenre and criticismTextual scholarshipPerformance and adaptationGlobal reception

Based on publisher information and book metadata.

Book overview

The Oxford Handbook of Shakespearean Tragedy presents fifty-four essays by a range of scholars from all parts of the world. Together these essays offer readers a fresh and comprehensive understanding of Shakespeare tragedies as both works of literature and as performance texts written by a playwright who was himself an experienced actor. The opening section explores ways in which later generations of critics have shaped our idea of 'Shakespearean' tragedy, and addresses questions of genre by examining the playwright's inheritance from the classical and medieval past. The second section is devoted to current textual issues, while the third offers new critical readings of each of the tragedies. This is set beside a group of essays that deal with performance history, with screen productions, and with versions devised for the operatic stage, as well as with twentieth and twenty-first century re-workings of Shakespearean tragedy. The book's final section expands readers' awareness of Shakespeare's global reach, tracing histories of criticism and performance across Europe, the Americas, Australasia, the Middle East, Africa, India, and East Asia.
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