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  • Osmos Magazine: Issue 13 by Cay Sophie Rabinowitz book cover
  • Osmos Magazine: Issue 13 by Cay Sophie Rabinowitz book cover
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Osmos Magazine: Issue 13

by Cay Sophie Rabinowitz

Photography in its artistic and everyday uses

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AlbakiReads Editorial

Photography in its artistic and everyday uses

Issue 13 brings together portfolios, reportage, artist-focused writing and essays to examine photography across different contexts. Its recurring sections range from gallery perspectives and traditional portfolios to the consequences of images made for purposes outside art. The issue includes a portfolio by conceptual photographer Bing Wright, Drew Sawyer writing on Carmen Winant, a close look at Lari Pittman’s work, and Peter Weibel’s essay on interface technology in Kathryn Bigelow’s films. The mix places photographic practice alongside questions of image-making, exhibition and film, giving the issue a scope that extends beyond a single artist or medium.

Good fit for readers who enjoy

  • Readers interested in contemporary photography and its relationship to art and visual culture.
  • Readers who enjoy magazine issues combining portfolios, reportage, and critical essays.
  • Readers interested in the named artists and topics: Bing Wright, Carmen Winant, Lari Pittman, and Kathryn Bigelow’s films.

Themes

Photography and artImage production beyond artGallery practice and exhibitionInterface technology in film

Based on publisher information and book metadata.

Book overview

Osmos magazine is "an art magazine about the use and abuse of photography," explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom).

The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"--and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of nonartistic image production. This issue features a portfolio of work by the conceptual photographer Bing Wright, curator Drew Sawyer on Carmen Winant, an intimate look at the work of Lari Pittman and an essay by Peter Weibel on interface technology in the films of Kathryn Bigelow.

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