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Notes from the Underground

by Fyodor Dostoyevsky

A searching voice from underground

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AlbakiReads Editorial

A searching voice from underground

Published in 1864, Notes from the Underground centers on a nameless, profoundly alienated narrator whose self-analysis probes questions of truth and goodness in a world described as shaped by relative values and few absolutes. Moral, religious, political, and social concerns intersect in this compact classic, giving the book a place among the works that introduce themes prominent in Dostoyevsky’s later novels. This Dover edition reprints Constance Garnett’s translation and includes a new introduction.

Good fit for readers who enjoy

  • Readers interested in nineteenth-century Russian classics and Dostoyevsky’s fiction.
  • Readers seeking a novel concerned with alienation, moral questions, and social or political ideas.
  • Readers exploring themes that recur in Dostoyevsky’s later works.

Themes

Alienation and self-analysisTruth and goodnessMoral, religious, political, and social questions

Based on publisher information and book metadata.

Book overview

In 1864, just prior to the years in which he wrote his greatest novels -- Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov -- Fyodor Dostoyevsky (1821-1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes -- moral, religious, political and social -- that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.
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