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New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics

by Felicia Raphael Marie Barber

Dialect, history, and performance in African American spirituals

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AlbakiReads Editorial

Dialect, history, and performance in African American spirituals

Felicia Raphael Marie Barber examines African American English in the spiritual tradition through historical, sociolinguistic, and musical perspectives. The book connects the dialect’s development during the African Diaspora with its relationship to Southern States White English, then considers how perceptions and weaponization of AAE have shaped performance practice. Its research draws on scores, recordings, and scholarship spanning the past century. Practical material includes phonological and grammatical features identified in early practice, IPA applications to ten spiritual texts, and perspectives from arrangers on using AAE in performance.

Good fit for readers who enjoy

  • Conductors and performers working with African American spirituals
  • Readers interested in African American English, sociolinguistics, and music history
  • Those seeking research-informed guidance on dialect and pronunciation in spiritual texts

Themes

African American English and the spiritual traditionDialect, performance practice, and perceptionAfrican Diaspora and language historyPhonology and grammar in musical texts

Based on publisher information and book metadata.

Book overview

A New Perspective for the Use of Dialect in African American Spirituals: History, Context, and Linguistics investigates the use of the African American English (AAE) dialect in the musical genre of the spiritual. Perfect for conductors and performers alike, this book traces the history of the dialect, its use in early performance practice, and the sociolinguistic impact of the AAE dialect in the United States. Felicia Barber explores AAE's development during the African Diaspora and its correlations with Southern States White English (SSWE) and examines the dialect's perception and how its weaponization has impacted the performance of the genre itself. She provides a synopsis of research on the use of dialect in spirituals from the past century through the analysis of written scores, recordings, and research. She identifies common elements of early performance practice and provides the phonological and grammatical features identified in early practice. This book contains practical guide for application of her findings on ten popular spiritual texts using the International Phonetic Alphabet (IPA). It concludes with insights by leading arrangers on their use of AAE dialect as a part of the genre and practice.
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