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Narrating Nuclear Disaster: Literary Form After Chornobyl and Fukushima

by Hannah Klaubert

How literature narrates nuclear disaster

Regular price $134.01 USD
Regular price $134.01 USD Sale price $134.01 USD

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AlbakiReads Editorial

How literature narrates nuclear disaster

Hannah Klaubert examines writing shaped by the aftermath of Chornobyl and Fukushima, asking how literary forms help make sense of nuclear disasters’ material, environmental and social consequences. The study brings together canonical works by Christa Wolf, Julian Barnes and Ruth Ozeki with genre fiction, including thrillers and travelogues. Its scope connects nuclear narratives to Anthropocene literature and contemporary ecocriticism, while treating uncertainty around the disasters’ short- and long-term effects as a central concern. The book also places this discussion within a field described as scientifically contested and politically charged.

Good fit for readers who enjoy

  • Readers studying literary criticism, ecocriticism or Anthropocene literature.
  • Readers interested in literary responses to Chornobyl and Fukushima.
  • Readers seeking analysis across canonical literature and genres such as thrillers and travelogues.

Themes

Nuclear disaster narrativesLiterary form and uncertaintyEnvironmental and social falloutAnthropocene literatureContemporary ecocriticism

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Book overview

Examining literature in the aftermath of Chornobyl and Fukushima, this book considers literary genres and forms as important resources for understanding the material, environmental and social fallout of nuclear disasters.

In a field that remains scientifically contested and, in the current moment of climate breakdown, highly politicized, Narrating Nuclear Disasters offers literature as an arena for exploring the uncertainty arising from events whose short- and long-term effects remain hard to oversee. By reading a wide corpus of post-Chornobyl and post-Fukushima literature from canonical texts by Christa Wolf, Julian Barnes and Ruth Ozeki to genre fiction such as thrillers and travelogues, the book offers a new way of thinking about nuclear narratives and nuclear culture more broadly. In doing so, it positions nuclear disaster narratives within a wider context of "Anthropocene literature", forging new connections between nuclear culture and contemporary ecocriticism.

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