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Muscat and Oman: The End of an Era

by Ian Skeet

A country on the eve of change

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AlbakiReads Editorial

A country on the eve of change

Ian Skeet’s account draws on travels in Muscat and Oman in 1966–68, before the transformation associated with the 1970s. It records a society shaped by Sultan Said bin Taimur’s personal rule and deliberate isolation, through descriptions of desert and highland journeys, walled cities, oasis communities and Bedouin tribes. The book’s historical perspective connects the country’s pre-oil conditions with the political choices and social structures of the period, making it a travel account as well as a portrait of a particular moment in Oman’s past.

Good fit for readers who enjoy

  • Readers interested in Oman and Middle Eastern history.
  • Those seeking first-hand travel accounts from before the region’s modern transformation.
  • Readers interested in autocratic rule, isolation and social change.

Themes

Oman before the 1970sAutocracy and isolationTravel and placeOil and social change

Based on publisher information and book metadata.

Book overview

Offers a first-hand account of the country's medieval-like society before its transformation in the 1970s.

The Sultanate of Muscat and Oman was a hermit state until 1970, preserving in every detail the poverty, personality and picturesque reality of a medieval kingdom. For forty years, Sultan Said bin Taimur personally controlled everything that happened, deliberately cutting the nation off from the headlong development of the rest of the world. Fortunately for Oman this would change, and fortunately for us, we have a first-hand witness to this complex society before that watershed.

Ian Skeet traveled across the vast sand deserts and arid highlands of Muscat and Oman in 1966-68, preparing the wary inhabitants for the coming of oil, visiting its isolated walled cities, fortified oasis communities and independent-minded Bedouin tribes. The sultan's motives may have been pure - to preserve his people from the sin of usury and the slavery of foreign debt - but Ian Skeet's portrait is a devastating study of the dead hand of autocracy.
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