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The Misogynists: A Reckoning with Modern Art

by Allison Leigh

Reconsidering the modern art canon

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Awards & Recognition

  • Editorial selection

    Publishers Weekly Top 10 Art Book for Fall 2026

    Named a Publishers Weekly Top 10 Art Book for Fall 2026.

AlbakiReads Editorial

Reconsidering the modern art canon

Allison Leigh examines six celebrated modern artists—Delacroix, Courbet, Degas, Renoir, Gauguin, and Picasso—through the relationship between their views of women and the art they made. Drawing on letters, contemporary criticism, scholarly biographies, and work in gender theory, psychology, and philosophy, the book combines historical narrative with art criticism and social analysis. It also considers how collectors, curators, and critics have handled these artists’ attitudes, and how their works remain prominent in museum collections and popular reproductions. The inquiry connects the interpretation of individual artworks with broader questions about the values preserved and circulated by cultural institutions.

Good fit for readers who enjoy

  • Readers interested in modern art and the history of its canon.
  • Readers exploring gender and representation in art.
  • Readers seeking art criticism that draws on historical and social analysis.

Themes

Modern art and the canonMisogyny and representationMuseum and collecting practicesArt criticism and social analysis

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Book overview

A riveting exploration of six giants of modern art, revealing how misogynistic beliefs shaped their work and smuggled dangerous ideas into museums worldwide

A Publishers Weekly Top 10 Art Book for Fall 2026, and one of Lit Hub's Most Anticipated Books of 2026

Delacroix, Courbet, Degas, Renoir, Gauguin, and Picasso have long been considered essential figures in the history of modern art. But these six men were also unrepentant misogynists. In The Misogynists, art historian and professor Allison Leigh delves deep into the lives of these figures to show how they truly felt about women, how those beliefs worked their way into their art, and how these facts have been brushed aside by collectors, curators, and critics.

These six were wildly influential artists in their time and remain widely known--and loved--today. Their paintings are the jewels of permanent collections in the world's most important art museums, and you can find reproductions of their works on all manner of merchandise, from T-shirts and socks to magnets and phone cases. They also exploited and degraded women in ways that shocked their contemporaries. And their sexist views infused the artworks, allowing dangerous ideas about women's proper roles and overall value to pervade our temples of culture.

Blending extensive research and intense observation, and drawing on letters, contemporary criticism, scholarly biographies, and the work of gender theorists, psychologists, and philosophers, Leigh crafts a thoroughly readable, engrossing mixture of historical narrative, art criticism, and social analysis. The Misogynists is an essential reconsideration of the modern canon and the narratives that continue to shape how we see--and value--art today.

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