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Mind of the Holocaust Perpetrator in Fiction and Nonfiction

by Erin McGlothlin

Reading the perpetrator’s perspective

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AlbakiReads Editorial

Reading the perpetrator’s perspective

Erin McGlothlin examines how nonfiction and fiction represent the inner lives of Holocaust perpetrators—and the ethical tensions that arise when readers are brought close to those perspectives. The book is arranged in two parts: first, it analyzes interviews and other nonfictional portraits from the 1960s and 1970s, including the role of interviewers and interpreters in shaping self-disclosure. It then turns to later fiction narrated by imagined perpetrators. Across these forms, McGlothlin traces connections in how such works both disclose and partly obscure their subjects’ mindsets, linking a shift in subject matter to changes in literary structure and representation.

Good fit for readers who enjoy

  • Students and scholars of Holocaust studies.
  • Readers interested in literary criticism, narrative theory, and the ethics of representation.
  • Readers studying nonfictional interviews and fiction that portray perpetrators.

Themes

Holocaust representationPerpetrator psychologyEthics of identificationNarrative theoryFiction and nonfiction

Based on publisher information and book metadata.

Book overview

The Mind of the Holocaust Perpetrator in Fiction and Nonfiction examines texts that portray the inner experience of Holocaust perpetrators and thus transform them from archetypes of evil into complex psychological and moral subjects. Employing relevant methodological tools of narrative theory, Erin McGlothlin analyzes these unsettling depictions, which manifest a certain tension regarding the ethics of representation and identification. Such works, she asserts, endeavor to make transparent the mindset of their violent subjects, yet at the same time they also invariably contrive to obfuscate in part its disquieting character.

 

The Mind of the Holocaust Perpetrator in Fiction and Nonfiction contains two parts. The first focuses on portraits of real-life perpetrators in nonfictional interviews and analyses from the 1960s and 1970s. These works provide a nuanced perspective on the mentality of the people who implemented the Holocaust via the interventional role of the interviewer or interpreter in the perpetrators' performances of self-disclosure. In part two, McGlothlin investigates more recent fictional texts that imagine the perspective of their invented perpetrator-narrators. Such works draw readers directly into the perpetrator's experience and at the same time impede their access to the perpetrator's consciousness by retarding their affective connection. Demonstrating that recent fiction featuring perpetrators as narrators employs strategies derived from earlier nonfictional portrayals, McGlothlin establishes not only a historical connection between these two groups of texts, whereby nonfictional engagement with real-life perpetrators gradually gives way to fictional exploration, but also a structural and aesthetic one.

 

The book bespeaks new modes of engagement with ethically fraught questions raised by our increasing willingness to consider the events of the Holocaust from the perspective of the perpetrator. Students, scholars, and readers of Holocaust studies and literary criticism will appreciate this closer look at a historically taboo topic.

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