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Minatures from the Bearsted Collection

by Elizabeth Goldring

Portrait miniatures, patronage and the Bearsted collection

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AlbakiReads Editorial

Portrait miniatures, patronage and the Bearsted collection

Elizabethan and Jacobean portrait miniatures occupy a space between private keepsake and public statement. This catalogue brings that art form into view through the early English miniatures collected by Walter Samuel, 2nd Viscount Bearsted, a group that remained with his family after most of his collection passed to the National Trust. The accompanying context connects small-scale portraiture with its uses in jewellery, the ambitions of patrons and the projection of royal authority. Nicholas Hilliard and Isaac Oliver help frame a period in which fine detail and symbolic content shaped how portraits communicated identity and status.

Good fit for readers who enjoy

  • Readers interested in Elizabethan and Jacobean art and portraiture.
  • Those exploring the history of collecting and early English miniatures.
  • Visitors to, or readers interested in catalogues for, art exhibitions.

Themes

Portrait miniaturesElizabethan and Jacobean artPatronage and identityRoyal authorityArt collecting

Based on publisher information and book metadata.

Book overview

This beautiful book explores the art of Elizabethan and Jacobean portrait miniatures through the exceptional collection of Walter Samuel, 2nd Viscount Bearsted

Portrait miniatures, painted with exceptional detail on a small scale, capture the elegance and intrigue of the Elizabethan and Jacobean eras. England led this refined art form, particularly through the work of Nicholas Hilliard and Isaac Oliver. These exquisite portraits reflected the values and ambitions of their patrons, flourishing in a culture rich in symbolism, elaborate attire and hidden meanings. Versatile in function, they served both as intimate keepsakes - tucked into lockets or worn discreetly - and as bold displays of wealth and identity, often set into fine jewellery. For Hilliard, who was court limner to Elizabeth I and James VI & I, they also projected royal authority. Known for their technical mastery and symbolic depth, portrait miniatures have captivated collectors for generations. One notable collector, Walter Samuel, 2nd Viscount Bearsted, amassed a remarkable array of European art, including a rare group of early English miniatures. While most of his collection passed to the National Trust in 1948, this group of early English miniatures remained with the family and are now the centrepiece of this exhibition and catalogue.


Exhibition schedule
Philip Mould & Company
19th November to 19th December 2025

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I highly recommend to for anyone looking for inner clarity

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