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Mimesis: The Representation of Reality in Western Literature - New and Expanded Edition

by Erich Auerbach

A comparative history of literary representation

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AlbakiReads Editorial

A comparative history of literary representation

Erich Auerbach examines how European literature has represented reality, tracing examples from Homer to Virginia Woolf across Greek, Latin, and several modern European languages. Each chapter builds its argument through close readings of passages from primary texts, using comparison to explore changes in literary representation from antiquity to modernity. Auerbach argues that this history moves toward more naturalistic and democratic forms, and connects his account of literary change with a broader view of Western culture. The expanded Princeton Classics edition also includes an introduction by Edward Said and an essay by Auerbach responding to his critics.

Good fit for readers who enjoy

  • Readers studying comparative literature or literary criticism
  • Readers interested in close readings of European literary classics
  • Readers exploring how literary representation changes across historical periods

Themes

Representation of realityComparative literatureLiterary historyNaturalism and democracy in literatureWestern cultural history

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Book overview

The classic book that has taught generations how to read Western literature

More than half a century after its translation into English, Erich Auerbach's Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depict reality has taught generations how to read Western literature.

A German Jew who was forced out of his professorship at the University of Marburg in 1935, Auerbach left for Turkey, where he taught in Istanbul. There he wrote Mimesis, publishing it in German after the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how, from antiquity to modernity, literature progresses toward ever more naturalistic and democratic forms of representation. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach uses his remarkable skills in philology and comparative literature to present an optimistic view of Western history and culture and to refute any narrow form of nationalism or chauvinism.

This expanded Princeton Classics edition of Mimesis includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.

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